Passion

Mar 28

Kim Sou is a Korean artist known for his style, Harmonism, which refers to the coexistence of figuration and abstraction. The Korean War sparked his interest in the world of inscape and subjectivity. Additionally, he drew influence from Japan, France, and the United States, actively incorporating emerging art styles from these regions.

Harmonism entails arranging and combining the contrasting forms of figurative and abstract art, embodying the concepts of Yin and Yang, objectivity and subjectivity, and the East and the West. Kim's work is also characterized by recurring subjects such as the nude female body, decorative compositions of colorful hues and mosaics, and the incorporation of Korean themes such as Buddhist dance and statues.

The Jeju Museum of Contemporary Art has curated an exhibition titled 'Passion' featuring a wide range of Kim Sou's works including paintings, drawings, and artifacts.

Source:

Exhibition notes from Jeju Museum of Contemporary Art.

Kevin Roque

Utilizing a collage approach in drawing, Kevin Roque offers enigmatic works that touch on societal issues and literary perspectives. Roque graduated with a Bachelor of Fine Arts (Painting) at the University of the Philippines Diliman in 2022. Before this, he was a self-taught artist, creating illustrations and book covers for locally published books. Roque has participated in various group exhibitions in Metro Manila since 2010 and has had solo exhibitions at the Prism Gallery and the Center for Art, New Ventures & Sustainable Development (CANVAS) Gallery. He also joined local artist residencies such as CANVAS Artist in Residence in Batangas and Linangan Art Residency in Cavite. Recently, he got shortlisted for the first SANAG UP Art Prize. Roque has been a member of several artist groups, including the UGATlahi Artist Collective, Ang Ilustrador ng Kabataan (InK), and the Malate Literary Folio.

As a skilled worker who values technical skill and craftsmanship, he uses graphite in drawing to capture the gritty details and nuances of his subjects, making it a powerful storytelling tool to illustrate issues such as inequality, labor conditions, or societal injustices. In his compositions, he seemingly blurs notions of reality and perception. This deliberate blurring of boundaries adds layers of depth and intrigue, inviting viewers to contemplate their fluidity and subjectivity. He also employs visual metaphors, where images stand in for larger ideas or narratives. This allows him to convey complex themes or stories in a condensed and evocative manner.

“In all his works, the referents, whose meanings are culled from history, literature, and present social conditions, are made to exist in the same pictorial plane. Often, what they signify, coincide, collude, and blur. Roque’s inchoate marks and textures also draw attention to a palpable sense of space. Instead of a tabula rasa, one discerns faint and obscure stirrings between and amid more established significations. Roque’s works reveal indications of progressive politics yet veer from direct fervor and incitement of emotions. Without discarding the seriousness of the topic, Roque employs more oblique methods that prod at the surfaces and forms of the nation’s socio-historical and political issues“ (JC Rosette).

Passion

Golden Solitude, Sea of Storms

Matereality